Nacho Carbonell at Groninger Museum
Solo exhibition of the work of Nacho Carbonell: inspiration, evolution and transience
From 22 November to 22 March 2015, the Groninger Museum presents the work of Nacho Carbonell (Valencia 1980), one of the most remarkable young designers of the present day.
Just like libraries and archives, museums are also places where ideas and knowledge are stored and conserved. New thoughts and concepts develop here too. Carbonell’s latest series refers to such institutions. Thoughts and ideas rise up from the tables and chairs, as it were, as semi-transparent, cloudlike forms. Altogether they constitute a sort of superbrain, like a dynamic internet cloud, a bees’ hive or anthill, with a multitude of voices, insights and possibilities. The work is also an investigation into forms and materials. To Carbonell, the challenge lay in the realization of various degrees of transparency and the application of colour.
Nacho Carbonell graduated cum laude from the Design Academy Eindhoven, and at Design Miami Basel in 2009 he was proclaimed Designer of the Future. In that same year, the Design Museum in London nominated his Lover’s Chair as Design of the Year. The Groninger Museum has been following Carbonell for quite some time. This first large-scale solo exhibition, presenting much new work, forms the conclusion to this cooperation.
Objects that lie at the interface of design and art are a characteristic feature of Carbonell’s work. He has a recognizable form language and a striking choice of material. His work and work process are light-footed, but are simultaneously critical investigations into the relation between people and objects as well as their symbolic significance. In an ongoing experiment, he researches themes such as inspiration, evolution and transience.
The interactive and behaviour-determining (or even coercive) elements are also of the utmost importance. For instance, Carbonell regards objects as a kind of organism that brings visitors to life when they use them. Creeping away, secluding oneself or hiding in cavernous forms is typical of his work, and evokes associations with scenes from the work of the Dutch painter Hieronymus Bosch (1450-1516).
9711 ME Groningen